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Heirlooms

by Tragedy Ann

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1.
Australia 03:48
I want to give this month-of-rain-day away But I can't No I can't give rain away Snowflakes should fall All of January tucked in asleep But it's not No it's not cold enough The sky's gone topsy-turvy and underneath The Earth peers up Cocks her head, “Why?” I'm too afraid to answer sometimes I wonder if she cries I wonder if she cries The sky's gone topsy-turvy and underneath The Earth peers up Cocks her head, “Why?” I'm too ashamed to answer sometimes I wonder if she cries
2.
The Shield 04:28
Morning sun Pale polygraph Of powerlines Across our dash Tells me that Our car is pointed North Now to our left The inland sea That rolls beside Sault Ste. Marie Plays hide and seek From in between the pines Pass the road To reach Hornepayne God I miss Stuart McLean We’ve never made this drive Without his voice When the one way round Is the long way round And The Shield makes you Surrender and submit Obstacles are where this beauty lives Shift downhill To save our brakes Outside the range Of CAA We’ll find the grave before This wagon does Roll your eyes Declare me champ When I spy my millionth Beaver dam On antler-watch Some things are left observed Rushing River Find our site Little red tent In warm twilight My mother stopped here Forty years ago When the one way round Is the long way round And The Shield makes you Surrender and submit Obstacles are where this beauty lives Early swim Stretch our legs The highway hints At Winnipeg We’ve gained an hour We’ll be there before noon When the one way round Is the long way round And The Shield makes you Surrender and submit Obstacles are where this beauty lives
3.
Barbara paints a picture Of the Yelling Man downtown Her shaking hand remembers Sam Playing with his hat out Her brush is coloured Summer When the sidewalk was filled Two years in to Parkinsons She can’t keep it still My neighbour grows tomatoes Like he has for sixty years Paradise in his backyard Since immigrating here His doctor told him last spring To cut them from his diet So Alfredo grows tomatoes He leaves them on the vine Are we weighed by what we love? What are we worth when it’s gone before us? Ben plays hockey organ For the local Junior A’s He’s never had an audience That wasn’t wearing skates The league sent him a letter “Times are changing fast” The radio is cheaper This season is his last Are we weighed by what we love? What are we worth when it’s gone before us? Barbara’s bought a camera And she never puts it down Alfredo plants a seed and smiles It’s the gardening that counts Ben plays a church on Sundays Even after the ice melts To my knowledge they’ve never met They know each other well
4.
Velveteen 04:56
He didn’t mind how he looked to other people, because the nursery magic had made him Real, and when you are Real shabbiness doesn’t matter. - Margery Williams, The Velveteen Rabbit There’s a tree Not too far from home Waving leaves like it knows me There’s a voice I hear when I’m alone Whispers to the seasons There was touch Knots along your spine Packing bags at your bedside Will you still love me When my velvet’s gone? Am I still worthy When my thread is torn? Will you still love me Now there’s a hole we cannot mend? Until then Until then There was hope Treatment traded time Folded hands defiant There’s a phrase I wish that I could say: “I wish that you could stay Alive in every way” Please, I wish that you could stay I wish that you could stay I wish that you could stay Will you still love me When my velvet’s gone? Am I still worthy When my thread is torn? Will you still love me Now there’s a hole we cannot mend? Until then Until then There’s a tree Not too far from home Waving leaves, it knows me “I love you more than you’ll ever know. I wish I could be everywhere with you.” - Bruce Kerr - Jodiette: My Lovely Wife
5.
Float Away 04:54
Under stars and over sand My heart is held in little hands I can’t bear to blow a kiss Knowing why I’m doing this I came to face November waves Deliver them my newborn babe I’ve rocked him to his only sleep And cradled him to water deep When I hear the cry of the ocean I’ll think of him here in my arms Though I love him more than I’ll ever say My little babe will float away I’m wading with my nameless babe So no one learns my hidden shame With God a rock around my neck I hold him close for one last breath I’ll rise, I’ll bathe, I’ll eat and dress I’ll work all day, go home to rest And I will pray for silent seas To keep this night out of my dreams When I hear the cry of the ocean I’ll think of him here in my arms Though I love him more than I’ll ever say My little babe will float away When I hear the cry of the ocean I’ll think of you here in my arms Though I love you more than I’ll ever say My little babe will float away My little babe will float away
6.
Strasbourg 01:10
Lonely and far from home Lonely and far from home The suitcase is an hourglass The birds sing monotone When you’re lonely and far from home Lonely and far from home
7.
The day is breaking And we are making Prairie fields and Canadian Shields In sheets we've shared for years A tangled waking I turn over Your eyes open Soft and hazy You pull me lazily into your chest Radiating Every morning I fall in love again Let's soak it in now Like dew for flowers Slowly blooming Butterfly kissing as I trace your sides A tandem rising Every morning I fall in love again The day is breaking And we are waking
8.
Working nights On Richmond Row The sidewalk talks And overflows Balloon babies For tipsy teens He's got two ends Tryin'a make 'em meet Ring the bell At the Sears downtown Ring it again When they shut it down The town crier's cryin’ By the paper stand Nobody gets lonely Like the people's man I wish that I could wish him well Meet him once He'll ask your name Give you a call On your birthday Every coffee shared Every hand he's shook There's ten thousand names In his birthday book He's got ten thousand names In his birthday book His best friends He holds dear Talks to them Once every year Shares a memory On their special day With their family If they've passed away I wish that I could wish him well Steam is rising From the underground Last man standing Tucks-in downtown A bell is ringing Down sleepy streets A little sad But mostly sweet I wish that I could wish him well
9.
When I went over the hills I found a good lie And I wanted more Through the good of my heart Then I was broken Into tumbleweed stew To be this for you Through the good of my heart Who I now am Is who I’ll be when I shed the pretend And cradle the mend Hard to believe In who you are Hard to believe There’s good in my heart Longing was lemonade A seaside serenade But as I rode that wave I was washed away You called it leaving I called it a start Cause I longed for the beating Of the good of my heart Who I was then Is who I still am I’ve shed the pretend And cradled the mend Better believe The light is a star I better believe In the good of my heart
10.
Have you seen the ghost of John? Long white bones and the rest all gone Oo! Oo! Wouldn’t it be chilly with no skin on? - Traditional Scene 1: Investigation Christmas was dark in that border town Seeking the body of John McGowan That time of year the frost runs deep No chance in hell to dig six feet I’d find his killer, bring him to the stand “A Mountie always gets his man” When I got there it’d been fourteen days Since screams first floated from the lake I asked around for any sign An open door to a killer’s mind In every home they cursed John’s name His murder they did celebrate I came to learn about the man: Liquored, mean, and violent It was known he drank for taste He only smiled when in a rage They’d all felt his hate at night But none as much as his poor wife Had justice beat me to that town To take the life of John McGowan? Scene 2: Interrogation Marie McGowan was needing sleep A fading bruise upon her cheek Said, “After fifteen years, better believe I bled him less than he bled me” Then she wrote it out I read it all I left her there Told her you might call Let your court decide If I’m unfit If you’d been there Would you have brought her in? Her confession read: Scene 3: Confession John’s gone Ain’t coming home Won’t raise his hand Won’t hide the phone Won’t pollute his blood I watched as it froze Made a Jackson Pollock In December snow Then I took his eyes And I let him go Gave him a chance To walk back home Then I came back After three cold nights And I cut a hole Into the ice Now it’s too bad He couldn’t see ‘Cause I was grinning Cheek to cheek When I laid him down Into that hole And now his body Is just as cold As the wicked hands He could not control And the bars of the prison Where I’ll grow old Scene 4: Haunting On the darkest day On the longest night You’ll hear a tap-tap From beneath the ice
11.
Heirloom 05:25
Where did Where did he touch you? Do you recall The bathroom stall Where they told you that They always knew? Heirloom Passed down to children The branch and vine Are intertwining Souring the sweetest fruit Eldest Eldest sibling Protect the rest The heart inside your chest Will never beat the night Waking Wake to a nightmare Spend your days Making trades With the spirit of an angry Christ When you prayed he’d die Angels heard your cry Brought him to the light Beat him with a pipe They sent you to his wife Comfort at her side But you couldn’t hide The joy you felt that night ~~~ You knew You knew the feeling Your firstborn daughter Lost her laughter And lives a screaming silent truth Believe It’s ordinary Tried forgetting Tried bloodletting It go So did you pass it on? ~~~ The same blood that cascades from My nose in dry months And keeps us both warm in the night The genes I am made of The grey hairs that you love The cheeks that flush when we fight The atoms that gather To build my brain matter And sing their own songs out of sight My pulse pounds the sum Catch-22 equation All brought to you By grace and complication
12.
I hope this finds you well On the day you hear the callin’ And that your heart rings Like a wedding bell I hope this finds you well Gently may you go When the trees and the leaves are fallin’ May you find your peace In a campfire glow Gently may you go My friend your show goes on They’ll forever be applaudin’ If your song is shared Then you’re never gone My friend your show goes on And may your skies be blue Wherever wings may take you At dawn you'll see Every point of view May your skies be blue I hope this finds you well On the day you hear the callin' And that your heart rings Like a wedding bell I hope this finds you well I hope this finds you well

about

With their new album "Heirlooms", Liv Cazzola and Braden Phelan issue a call for deeper connection with each other and with the natural world.

The answer to this call is reflected both in the collaborative creation process and the meaningful ways in which Heirlooms will be shared. Setting these intentions rooted them and provided the insight needed to nourish the project and create something lasting.

"We want Heirlooms to encourage listeners to question their individual choices and reconsider the experiences of others in their communities, provoking critical thought rather than merely expressing our opinions. In order to encourage this in others, we must do so ourselves."

Heirlooms is an opportunity to reconnect, share stories and learn.

credits

released May 6, 2022

Production: James Paul & Tragedy Ann
Recording Engineer: JoJo Worthington
Additional Engineering: James Paul, Liv Cazzola, Mark Mariash
Assistant Engineers: Darren McGill, Chris Stringer
Editing: JoJo Worthington & James Paul
Orchestral Arrangements: Jillian Sauerteig
Recorded at: The Oculus Pavilion, Union Sound, Rogue Music Lab, Stardome, Potato Patch
Piano technician: Marc Decorte
Mixing: James Paul at Rogue Music Lab
Mastering: Heather Kirby at Dreamlands Mastering
Album Artwork: Jenni Douglas
Photography: Nicolette Hoang
Graphic Design & Layout: Sue Passmore
Printed on PCW recycled paper at Ampersand Printing, a local carbon-neutral facility.

All songs written by Liv Cazzola & Braden Phelan (SOCAN, 2022), except:
- “L’Arca Di Noe” by Sergio Endrigo - gratitude to his estate for their permission
- “Have You Seen The Ghost Of John” - Traditional
- Birthday Book co-written by John Muirhead, Liv, and Braden

This project is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters. Ce projet est financé en partie par FACTOR, le gouvernement du Canada et les radiodiffuseurs privés du Canada.

In creating Heirlooms, many people were generous with their time, expertise, creativity, and love. As is always the case with creative projects, this album could not have happened without overlapping layers of community.

In no particular order, we extend deep gratitude to:
Barbara Salsberg Mathews for the friendship & inspiration; The Craig Horas, Team-Skeens, Yas, Sam, Billy, & Goose for housing us through recording; Camilla Cook & Adrian Raso for challenging us in our craft & inspiring us in our delivery; Ryan Allen, Rodney Jantzi & Dave Robinson for keeping our instruments & amps rockin n’ rollin; Nicole Colbeck for the writing prompts - they kept us creating through some heavy times; Rob Taylor, Eric Leigh, & Rosie Eberhard at OIART for the initial demo sessions; Pat, Che, Yuki & Alicia for tolerating two noisy songwriters in the house; Liv’s students, for their flexibility and constant source of inspiration; Graydon James for demystifying the scary FACTOR grant; Steve Kenny at Traverse Music for conspiring with us throughout the release process; Kait & Alex for the deep companionship, collaboration, and euchre games (Kait, you & Liv will forever go ↓); Jenni, Nicolette and Sue for translating our music into the visual realm so beautifully; JoJo for being a rad tracking-roommate, and bringing humour, style, and bagels to the sessions; Anita for being the gold standard in creative compassion, for embodying softness & gifting these songs with it; Sam for far more things than we can list here, including lifelong friendship, intrepid & innovative grant-writing, and holistic collaboration; Jill for making us sound like geniuses with your orchestral parts, & feel like family with your friendship; JP for leaning into vulnerability & approaching complexity with delicacy, even when your brain feels like a sieve; all creative collaborators, past & present for allowing us to explore and experiment; everyone who’s ever put us up for the night, hosted a house concert, or who contributed to our crowdfunding campaign; our parents, siblings, and extended families, for trusting us with your heirlooms; the patch of Earth and Time we are inhabiting, and trying to leave with more love than how we found it; to you, for listening.

JP would like to thank: Leigh & Tallulah, Chris Stringer, Leon Taheny, and Ian Gomes.

This album was written and recorded in numerous locations that are all subject to the Dish With One Spoon Wampum Covenant. This treaty expresses rights and responsibilities for those living in the area so as to ensure the health of the land and all its citizens, and was first practiced by the Nishnaabeg, the Mississaugas of the Credit, the Haudenosaunee Confederacy, and the Attiwonderonk Peoples.
Music has been made here since time immemorial, and in drawing inspiration from these landscapes for our own songs, we recognize the role we must play in ensuring their wellbeing for generations to come.
We hold ourselves accountable to continue learning from and about these places, to confront our privilege, and to navigate the dismantling of ongoing colonial projects in the hopes of truly living in reciprocity with the land and its people.

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Tragedy Ann Guelph, Ontario

Tragedy Ann is a Forward-looking Folk duo from Guelph, Ontario.

Braiding organic vocal harmonies with accordion, singing saw, guitars, and ukulele, Tragedy Ann’s arrangements are as delicate as they are driving.

With their new album "Heirlooms", Liv Cazzola and Braden Phelan issue a call for deeper connection with each other and with the natural world.
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